50 Objects Defining Englishness: A Campaign for Unity (2026)

In a world where identity politics and cultural divides are on the rise, a new campaign is seeking to redefine Englishness by collecting 50 objects that embody the essence of this nation. This initiative, called A Very English Chat, is a bold attempt to move beyond the reductive arguments over flag displays and explore a more nuanced and inclusive understanding of English identity. The campaign, supported by prominent figures like Green Party politician Caroline Lucas, musician Billy Bragg, and law professor Kojo Koram, aims to tackle England's growing social divisions and political polarization. By encouraging people to share the five objects that define their Englishness in 2026, the campaign hopes to create a richer and more inclusive narrative around English identity. These objects, which can be cultural artifacts, places, people, or even anecdotes, will be collected and used to create items like decks of cards, posters, T-shirts, and tea towels for St. George's Day on April 23rd. The campaign's founder, Andy Green, believes that by taking the heat out of divisive conversations around Englishness, they can foster a more generous and nuanced dialogue. Green argues that England is tearing itself apart, much like the United States, and that urgent action is needed to avoid sleepwalking down the same path. He sees this campaign as a way to create a more inclusive and generous chat around the things that connect English people and tell a bigger story. The initiative is supported by the Jo Cox Foundation's More in Common Network and other social campaign groups, including Grow Social Capital, which helps communities tell their collective story from the bottom up. For Caroline Lucas, one of the cultural artifacts that embodies Englishness is the Beatles' album Sgt. Pepper's Lonely Hearts Club Band. She believes that the project is timely and important, as it can bring individuals and communities together to share their reflections on national identity and discover more compelling and inclusive stories of who they are and who they can be. Billy Bragg, who chose Marmite and George Orwell's The Lion and the Unicorn, agrees that the project is timely, as he sees patriotism as about giving a shit about your country. He also highlights the importance of understanding the meaning behind symbols, such as flags on lampposts, and how this campaign can bring Englishness into focus. Kojo Koram, meanwhile, sees the initiative as an opportunity to explore the richness of England's history, culture, creativity, and dissent through shared reflection. He believes that this project offers something generous, open, and unifying, and that it reminds us that England is not just something that is but something we can continually make. This campaign is a powerful reminder that identity is not static but a constantly evolving narrative. By collecting 50 objects that embody Englishness, the campaign is inviting people to reflect on their own stories and affinities with England, and to share them with others. In doing so, it is challenging us to think more deeply about what it means to be English and to explore the many ways in which we can connect with one another. Personally, I think this campaign is a much-needed step towards healing the social divisions and political polarization that are plaguing England. By encouraging people to share their personal stories and objects that define their Englishness, the campaign is fostering a more inclusive and nuanced understanding of this nation's identity. What makes this particularly fascinating is that it is not just about collecting objects, but about creating a dialogue that can bring people together and inspire a more generous and nuanced understanding of Englishness. In my opinion, this campaign is a powerful example of how art and culture can be used to bridge divides and foster understanding. By inviting people to share their personal stories and objects, the campaign is creating a space where people can connect and reflect on their shared experiences. This raises a deeper question: how can we use art and culture to build bridges between communities and foster a more inclusive and nuanced understanding of identity? A detail that I find especially interesting is that the campaign is not just about celebrating Englishness, but also about challenging the reductive arguments over flag displays. By encouraging people to share their personal stories and objects, the campaign is inviting us to think more deeply about what it means to be English and to explore the many ways in which we can connect with one another. What this really suggests is that identity is not just about symbols and flags, but about the stories and experiences that shape us. If you take a step back and think about it, this campaign is a powerful reminder that identity is not just about the past, but also about the future. By inviting people to share their personal stories and objects, the campaign is inspiring us to think about how we can shape our own narratives and create a more inclusive and nuanced understanding of Englishness. This initiative is a powerful example of how art and culture can be used to build bridges between communities and foster a more inclusive and nuanced understanding of identity. It is a call to action for all of us to reflect on our own stories and affinities with England, and to share them with others. In doing so, we can create a richer and more inclusive narrative around Englishness, and build a more harmonious and understanding society.

50 Objects Defining Englishness: A Campaign for Unity (2026)
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